Posts Tagged ‘Dog Eat Dog’

Syfy’s Being Human: “You’re the One that I Haunt” (SPOILERS)

It’s late and I’ve got to be up early, so expect some stream of consciousness writing.  Per usual, if you haven’t seen both BBC’s entire first season and Syfy’s to date, I’m about to spoil the hell out of it for you.

Sally vs. Danny:  the final showdown was tonight.  Anyone who has read my previous posts on the subject already knows that I think Annie and Owen, for the most part, have blown this pair out of the water.  In the contest of cool special effects, however, the prize belongs to Syfy.  Last week’s possession was impressive; this week was as well with Sally’s frightening impression of “The Grudge” and her transformation back, plus her angelic appearance when Danny is finally able to see her for himself.

I’ll also reluctantly admit that the BBC original might have left something to be desired in their simplistic handling of Annie’s final fight back; perhaps with Annie’s powers in general.  We are on Season 3 of the BBC version, and although Annie has progressed in her abilities, we still have yet to see the extent of her powers.  Sally progresses much faster, and here she uses her new-found power to try and force Danny to slit his own throat.

She’s also a little meaner than Annie.

Anyway, Danny shows up to burn the house down and Sally traps him inside with her.  Josh and Aidan arrive in time for Aidan to go all vamp-scary on him and Josh to helpfully (if surprisingly easily) put out the raging fire.  Josh also plays the good angel on her shoulder, since Sally is on the fence about letting Aidan take Danny out for good.  In some ways, this was more satisfying than Annie insinuating what Mitchell and George are capable of before threatening Owen with a secret that sends him running to turn himself in for her murder.  Maybe Syfy can’t match BBC with the emotional aspects, but at least they keep it interesting.  I also have to respect the choice to keep Sally a more traditional ghost:  ordinary humans simply cannot see her (until they lose their minds, like Danny) and she touches no one.  I still don’t see why not, because if she learned in either the first or second episode how to touch physical things, wouldn’t she be interested in some physical contact (I’m thinking about hugs or something, relax) with her roommates at least?  I guess she’s met enough ghosts this season that it hasn’t been an issue.  She also hasn’t bonded with Josh and Aidan all that deeply, which might be another factor.

Moving on to the delectable story of Aidan, Celine, and Bishop.

I’ve mentioned Mitchell and Jonie before, after the episode Dog Eat Dog when I was taken aback by Bishop’s past love with the human woman, Jane.  I’d assumed that this relationship was an echo of Mitchell and his human gf Jonie, since the story with Bernie turned out so differently, as did Aidan’s return to Bishop.  In tonight’s episode, I found out I was wrong, and I can’t help but enjoy the way the relationship was handled.

Jonie, Mitchell’s strong-willed love from the 60’s, is replaced with Celine (70’s?  I couldn’t be sure, but I thought that’s where the haircuts and leather jackets came from) and through flashbacks we see an intense love affair in Aidan’s past.  The story is still very different; Jonie saw through Mitchell and realized that he did not want to kill with Herrick any longer, even as he kidnapped and threatened her.  Thus, she ended up helping him to stay clean.  This is why, when she sees him later as a dying patient in his hospital, she is able to once again force him to find focus and get back on track.  I just adored Jonie.

Celine, however, is shown begging Aidan to turn her, and allowing him to drink from her.  Not cool, when you consider he’s an addict, but her scene with Bishop made me like her just as well.  Bishop has kidnapped her and basically blood-raped her in order that Aidan will believe she has abandoned him.  I couldn’t figure out why he wouldn’t just kill her, until he explained in a gorgeously perverse manner that he preferred knowing he had her under his thumb.

Mark Pellegrino was so hot in that scene.  Evil, but hot.

Right, focus.  But Celine impressed me when she not only proved she knew Aidan, but saw through Bishop as well.  The big moment comes after Bishop tells her that Aidan will always return to him.  Despite being pinned to the wall by a blood-drinking psychopath and clearly terrified, she looks him in the eye and tells him Aidan will also always leave him again. Very badass.

About the big ending, of course I knew what was coming.  Last week after watching Going Dutch, I worried that the writers would show both guys as being emotionally attached to Sally.  My worries were unfounded; they kept it real.  Syfy fans, you have no idea how heart-wrenching that same scene was in the BBC version, where the roommates had already been through so much together.  I cried both times I’ve watched it.  But when Sally’s Door showed up, it was more like, ‘Hey, you did it…Bye!’

The emotional part comes when Bishop bursts in through the window (or was it the wall?) and stabs Aidan.  Now Josh gets to cry, and although I didn’t cry with him, at least they’ve bonded enough that I believed him and felt something.  Their friendship is one of the best parts of this show; maybe it’s even the heart of it.  I am such a sap.

BTW, I know Syfy does things in the cool, over-the-top way that we Americans tend to prefer, but what was up with Bishop’s grand entrance?  On BBC, Herrick simply knocks on the door (making George scream like a little girl because he thinks the knock comes from Annie’s Door) and when Mitchell answers, Herrick grabs him, yanks him forward and stabs him.  He wasn’t invited so he couldn’t come bursting in, and the fact that he couldn’t reach him very well explains how he missed the heart.  So how did Bishop get in, how on earth did he miss when he was right on top of him, and why did he act like the sun was hurting him when we’ve seen both Bishop and Aidan outside many times?  No sunglasses = burning vamps??  I wasn’t thrilled with the rule-breaking, just for the sake of drama.  Seems sloppy.

Oh yeah, and Nora’s still pregnant, though she knows nothing about Josh’s true nature.  Joy, rapture, way to freakin’ go.  I suppose she finds out next week, hopefully in the same crazy way that Nina did in season 1.  I won’t give it away (for once) because in the original, it took me by surprise.  Here’s hoping Syfy fans have the same experience.

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Being Human: UK Season 3 Appearing in US Season 1? (SPOILERS)

So here I am, still watching, still complaining.  I’m not sure what’s going on with this version.  I’m up to date on this season in the UK, so imagine my astonishment to see some of the new season 3 plotlines appearing in the US’ season 1.  I find it confusing.  I’d love to know what new fans think of it, because maybe it’s a BBC-Fan-Personal-Problem.  See, the first season in the UK was all about the 3 roommates becoming close and relying on each other for safety, acceptance, and understanding.  The US version seems all over the place.  Storylines appear and disappear and a lot more characters have been introduced.  Some of the differences work, and some I just don’t like at all.  I’ll helpfully share just a few of each kind.

Last week’s Bernie episode went differently.  Presumably the writers didn’t feel that it was realistic to have Aidan confide in Bernie’s mother and turn Bernie himself,  leaving her with a vampire child (Mitchell’s move).  That’s okay; most vampire fans have read enough and seen enough to believe that vampire children never work out for the best. (Claudia from IwtV anyone?)  Instead Rebecca turns Bernie in the hopes of making a family with Aiden.  Not bad; it goes along with her struggle in her reluctant life as a vampire.  The only part that disturbed me was Bishop’s apparent sympathy for human children.  I’ll explain that later.

This week’s episode was where the new UK season has showed up a lot.  BBC has just introduced the concept of vampires hosting werewolf cage matches, so imagine my surprise when Josh gets kidnapped for this same purpose in Dog Eat Dog. The difference is that instead of tossing some poor human in to be slaughtered, the vamps pit two werewolves together.  In the UK version, Mitchell was not even aware that the cage matches still existed; it is supposed to be another example of the crueler side of things that Herrick hides from Mitchell in order to keep him from leaving.  That’s why it was hard for me to watch Aidan stand by looking chagrined at best, mostly just because his best friend happens to be involved.

The Elders that have been mentioned for the first time in the UK (whom we’ve yet to glimpse) have appeared here as Amish vampires who show up now and then to kill the vampire king.  Their presence keeps Aidan from being able to outwardly rescue Josh, so he makes a deal to return to Bishop in exchange for Josh’s release.  This takes the place of Mitchell deciding that vampirism is the answer to humanity’s problems after Bernie was killed, causing him to return to the fold.

If Aidan isn’t going to have this misguided epiphany, that could explain why I saw a very similar storyline to  Mitchell and his human love, Jonie, shockingly applied to Bishop.  Jonie is the one to help Mitchell see the error of his thinking, but now she isn’t necessary for Aidan.  Of course, the story changes quite a bit, since Bishop is offered his leadership in exchange for giving up (by choking her to death) his love.  This entire idea is a huge departure from Herrick, who has never had a moment that was not pure evil, unless you include his indulgence for Mitchell.    Herrick scares the crap out of me most of the time, just because he is capable of anything and really enjoys himself all the while.  Yet Bishop shows sympathy for human children, and seems as if he was once on the same journey as Aidan is now and was forced by the Elders and Aidan to give it up.  What gives?  How does this softness coincide with his plan to have vampires come out in the open and take over the world from humanity?  More importantly, does this mean they won’t be including the following vital scene?

Anyway, right next to that big softy is Aidan when he was still drinking the kool-aid, quoting party lines and living it up vampire style.  He’s the one convincing Bishop to renounce the human woman, threatening betrayal if he will not.  I could be wrong, but I don’t recall a single Mitchell-Herrick flashback where Herrick was not completely in charge.  Herrick has always been King, while it now seems that Bishop and Aidan were fellow peons once.  BTW, I didn’t really appreciate this added line about Aidan, while fighting the Revolutionary War,  leaving behind family, a wife and a son.  Sounds sooo familiar…True Blood’s Bill Compton minus the pretty southern accent?  Just about.  Trying to differentiate your story from its source by borrowing from another, more popular story seems like a mistake.  Maybe it’s just me.

Shocking to the point of horrifying, the trailer for next week’s episode shows Nora announcing that she’s pregnant, which causes nightmares for Josh.  Is this for real?  Nina is pregnant now, season 3, after they’ve been through so much and she’s actually a werewolf herself.  Why make Nora pregnant before she even finds out about Josh?  Season 1, they’ve just been getting closer together, and struggling to do so because of his gigantic, dangerous secret.  Sure, throw a baby in the mix.

I don’t know what the Syfy version intends with all this skipping ahead.  I do think my point of view is irrevocably biased in favor of BBC, so I can’t tell for sure if these changes are actual problems or not.  Maybe it’s better to give Bishop a softer side and knock Nora up straight out of the gate?  Maybe with more episodes in a season, events move faster?  I don’t know.  Maybe it doesn’t matter.  George owns “Who wants some of my chair?” anyway.